欢迎来到星辰影院,本站已收录《月亮上的洞免费完整版在线观看》,《月亮上的洞免费观看全集完整版》,《月亮上的洞高清百度云》,并提供在线手机免费观看地址。月亮上的洞于1964在以色列上映开播,由Uri,Zohar导演,主要演员包括Arik,Lavie,Shaike,Ophir,Avraham,Heffner,是一部精彩的剧情剧。剧情简介:A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and
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以下为月亮上的洞剧情简介:影片讲述
A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
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Arik,Lavie,Shaike,Ophir,Avraham,Heffner主演演得很出彩,各种情绪和无助感体现很到位,让我很有共情,表演很惊喜,吕行导演的叙事能力还是很赞 五分!!
和一些讨论剧情剧的朋友对话在评论里,有一些新的看法。然后是因为我没有打高分,某些???在集体刷无用,准备给我刷下去?《月亮上的洞》在影视外展示出来的东西,可能比本身更精彩吧。再此感谢评论中一起讨论的朋友,不管是和我意见相同或者相左的,至少我们是在讨论一部国产剧,可能没机会给更多的朋友看到和讨论了,不管怎么样,谢谢大家。
《月亮上的洞》突破了剧情剧的局限,通篇几乎充满令人难以置信的温馨基调,当我们无奈地遇到了如同Uri,Zohar一般囚禁了心灵自由的那种囹圄,我们是无奈面对,还是勇敢面对恐惧心理,去打败它? 经典的剧情剧之所以经典,因为他们都在做同一件事——让你从不同的角度来欣赏希望的美好。
作为1964年上映的剧情影片。 总体来看,是值得观看的,不管是画面还是主演表现,都是值得称赞!
视觉效果还不错,不足的地方也有,总体上乘,音乐上面,昨天看了音乐特辑,吕行对音乐非常有想法,不论是感人的,还是渲染高潮部分,都比较有力。总结下来是一部精彩的剧情影片推荐观看...
剧情剧能做到的好,这部剧情剧都做到了。剩下的是这个时代不让它更好。在我们刚刚经历过的时代巨变洪流之中,有无数这样的小人物在时代洪流中艰难生存着,同时在竭力不丢失他们的灵魂。终于有这样一部大陆国产剧,让我们能够看到时代,看到善意,看到希望。
月亮上的洞在同期剧情剧整体水平中等偏上,即使放在佳作频出的当今,吕行导演的这部作品在大陆也能位列前茅。
这种题材的剧情剧有漏洞在所难免,以色列剧情剧但能做到这一步值得称赞,节奏紧张,剧情张力强